Author: Philip

Although I want to believe change will happen, experience tells me that change happens much more slowly than I generally expect. So I don’t expect much short-term change to the “Hollywood” studio model, but I do see that there’s a lack of direction. Sequels and franchises borrowed from elsewhere, to push the tentpole model, isn’t the creative industry it can be. (Many, many very creative people make these films, but the ideas seem repetitive.)

Well, Erik Lokkesmoe wonders Is Hollywood Worth Saving?

In a recent post commenting on Marissa Mayer’s “Professional Photography is dead” statement, Chuq Von Rospach posted Why Marissa Mayer was really right, even if you hate hearing that fact. Essentially the argument is that, because modern cameras make it easier to take a decent/good picture there’s less need for the professional.

I think we could replace “Professional Photographer” in that article, with “Professional Videographer” because the issues are very similar.

Given how few people are full time professional video editors, and how many seats of NLEs have been sold, there are clearly a lot of people “in between”: people who edit professionally, but not all day, every day. Here are a couple of examples from my recent reading.