As I’m sure you’re all aware, my special interest is in the Pre-post production area, specifically how we can automate out the boring work and optimize workflow for editors to do their thing in turning the raw material into a polished gem.
Of course, metadata is going to play a big part in doing this. In fact, story building algorithms are relatively easy – as we demonstrate with First Cuts Studio. What is hard is to derive the necessary metadata without taking the time for a human to enter it.
If we ever want to be able to judge performance or recognize emotion in a face in a shot, we need a computer to recognize emotion. And they are. In the New York Times from October 15th comes But How Do You Really Feel? Someday the Computer May Know: