Categories
Distribution Item of Interest

Blockbuster plans mid September Bankruptcy.

Blockbuster tells Hollywood studios it’s preparing for mid-September bankruptcy – LA Times http://bit.ly/cktTTb

Coming as no surprise after losing $1.1 billion in the last few years, and after closing 1000 stores, Blockbuster has been caught between business models: streaming and avoiding the store all together, and the Redbox cheap (and in convenient locations) machines.

Blockbuster post bankruptcy plans on increasing “non-store” revenue (streaming and kiosks).

I guess there’s a role for the store in movie rentals? But when Netflix delivers from a selection approaching 100,000 titles, and the average Blockbuster carries just 5000 titles, how can it really compete?

The studios would likely be protected from any significant losses on payments Blockbuster might owe them at the time it files for bankruptcy under the proposed plan. But they would lose revenue from any stores shut down.

The parties most impacted would be Blockbuster’s junior debt holders and the landlords of leases that would be canceled under the proposed bankruptcy. It remains to be seen whether they would attempt to challenge a plan that left them with a fraction of what they are owed.

After delisting the company is worth only $24 million with a massive debt attached.

Categories
Distribution Item of Interest New Media

New Numbers Reveal: Cord Cutting is Real. Or not.

New Numbers Reveal: Cord Cutting Is Real http://bit.ly/920KcM

I’d love to believe that “cord cutting” – dropping a cable subscription in favor of web delivered video – is growing and that Internet distribution is a raging success. Except it’s not. At least not yet.GigOm quote some statistics – and for sure this is the biggest quarterly drop that cable subscription numbers have experienced  – but the reality is:

… much of those losses seem to be attributable to customers who subscribed to pay TV early last year due to the broadcast digital transition. Now these customers see the prices for their introductory packages going up, and quite a few of them have decided not to stick around.

Another GigOm post says that “45% of TV viewers get their shows online,” which makes a great headline, until you read the body of the article:

Almost half of all consumers watch TV content online every week, according to a new study released by the Ericsson ConsumerLab today

Watching a single video on YouTube would qualify you in that 45% so there’s no news there, particulalry when the same article presents:

However, linear TV content still reigns supreme: 93 percent watch plain old television every week.

So, watching online video doesn’t diminish the watching of conventional Television.

There are definitely “cord cutters” out there – ourselves among them – who have dropped cable or satellite (and over the air).

As an aside I couldn’t help noting the end of the article:

Apple, on the other hand, should be encouraged by Ericsson’s findings. 37 percent of consumers are very interested in a touch-screen tablet as a remote control for their TV.

That’s what I said months ago. It’s the logical solution to the problem.

If you want to give it a go (cord cutting) Salone has an article today Cut the cord: A guide to free TV but that article’s point one is to “adjust your expectations”! Right.

The most sane commentary on the subject in the last day or so comes from Silicon Alley Insider’s Judge The Success Of Web Video By Real Business, Not Hype Like “Cord Cutting.” I’m big on “real business results” since that’s what ultimately we judge on. The always sensible Dan Rayburn (president of StreamingMedia.com) concludes a very long and excellent counterpoint to the unreasonable optimism from “online video” proponents with:

Notice almost no analyst talks about what’s taking place today? It’s almost always about the future and three or four years away yet there are plenty of opportunities right now. This industry survived the crash in 2000 because expectations were re-set and consumers, vendors, VCs and others all came back down to reality of what was real and what was hype. Many of us don’t want to see the industry go through another correction like that, even though in the long run, it was the best thing that could of happened at the time. It will sound odd to some, but for those in the industry at that time, they will most certainly agree with me that our industry needed to go through that in order to survive and be where it is today.

Don’t let the hype in this industry become the metrics for how we judge true success in the market.

Categories
Distribution HTML5 Item of Interest

MPEG LA: H.264 Streaming Will Be Free Forever

RT @ccrask: HUGE NEWS via @ NewTeeVee MPEG LA: H.264 Streaming Will Be Free Forever http://dlvr.it/4Gp93 No reason not to be HTML5 as the default but the open source purists will find a way.

It’s late. Read the article. It’s good news.

Categories
Distribution Item of Interest

RIAA: The DMCA Isn’t Working.

RIAA: The DMCA Isn’t Working http://bit.ly/96D0Cg

I just love the insanity that is Carey Sherman of the RIAA who states:

“You cannot monitor all the infringements on the Internet. It’s simply not possible,” says RIAA President Cary Sherman. “We don’t have the ability to search all the places infringing content appears, such as cyberlockers like [file-hosting firm] RapidShare.”

But expects that ISPs can do that which he has just said isn’t possible.  Insanity. Either these people are shameless, shameless liars, or simply totally incompetent. I vote for totally incompetent having grown up on monopoly “rents” they simply cannot adapt to changing circumstances where their role is nearly irrelevant (if there is still a role for Record Companies at all in five years).

As the article concludes:

As it is, the DMCA protects online service providers — especially smaller ones — from living in fear of lawsuits and having to spend money and resources to patrol for infringing material. The most important question, however, is whether private corporations such as ISPs (which can monitor all of your online communication) should really be responsible for figuring out who’s breaking the law.

Categories
Distribution Item of Interest

Red Princess Blues distributes via iTunes App

Red Princess Blues distibutes movie via iTunes App http://bit.ly/a7jzvJ

A long time ago I started a post titled “The future of distribution is an out-of-browser experience” thinking something like apps. This was before iTunes apps were even available. More recently I postulated on how a production could use an App as its central home in a post facetiously titled How do you get Disney to fund your next production that used a combination of iAds for funding and app for video (both pre- and production content) with in-App commerce.

Well, Red Prince Blues have done the distribution side already – see the iTunes App link above. But making an app is challenging for creative filmmakers or TV producers, so maybe we need an Xcode project template like Chris Mayer has provided for publishing a book as an iDevices App.

Categories
Distribution HTML5 Item of Interest

BBC: HTML5 Is Not Ready For Video

BBC: HTML5 Is Not Ready For Video And Sailing Off-Course http://bit.ly/ckjcQS

The corporation’s future media and technology director Erik Huggers writes:

“The fact is that there’s still a lot of work to be done on HTML5 before we can integrate it fully into our products. As things stand, I have concerns about HTML5’s ability to deliver on the vision of a single open browser standard which goes beyond the whole debate around video playback.”

I think it’s widely agreed that HTML5 is not a complete replacement for every use of Flash at this time of the technology’s development, but this attack is hard to separate from the fact that there is a long-standing agreement between the BBC and Adobe to transition the BBC’s video to Flash.

The BBC is invested in a long-standing strategic relationshipsigned with Adobe late in 2007, allowing it to move its media delivery away from RealMedia to Flash. So it’s Flash on which one of the world’s most popular VOD services is now built – BBC iPlayer served 100.2 million online requests in June.

 

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Distribution Item of Interest

Five Rules For How To Make Things go Viral.

Five Rules For How To Make Things Go Viral (TCTV) http://tcrn.ch/dp2AVz

There is no guarantee of virality, but there are some approaches that help improve the likelihood that something will go viral and be spread across a wide variety of audiences.

I particularly like number 1 – “Create media for the bored at work”!

The advice is “as expected” but worth remembering.

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Distribution Item of Interest

5 Questions With…Clicker CEO Jim Lanzone

5 Questions With…Clicker CEO Jim Lanzone http://bit.ly/bk79Db

Jim Lanzone, who, prior to starting “internet television guide” Clicker.com, was CEO of Ask.com and Entrepreneur-in-Residence at Redpoint Ventures. Below, he submits the phrase “nanocasting” for approval, sings the praises of the Double Rainbow and explains why using Clicker.com is better than having a brain hemorrhage.

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Distribution Item of Interest

Worried about loss of iDVD from iLife?

Worried about (possible) loss of iDVD? http://bit.ly/9hiYvg

iDVD – the DVD burning part of iLife is, according to rumors, likely to be dropped from the iLife 11 package supposedly in development. In it’s place an unannounced mystery application.

Just how important is iDVD – well at the bottom of the Apple Blog article linked above, is a survey:

Daily 3.3% (20 votes)

Once a week 4.6% (28 votes)

Once a month 11.2% (68 votes)

Every few months 25.3%(154 votes)

Once a year 27.1% (165 votes)

I’ve never used it. 28.5%(173 votes)

Total of 608 votes at that point.

I wasn’t sure exactly where to place my vote. I’ve used it exactly once in five years. To do a slideshow!

Categories
Distribution Item of Interest Monetizing

Yes Men Make $11,000 on first weekend of P2P release.

Yes Men Make $11,000 on First Weekend of P2P Release http://bit.ly/aEP04J

By asking for donations while distributing the film The Yes Men Fix The World the Yes Men are bringing in “about $500 an hour” now.

For the Yes Men, that tipping point could actually come sooner than later. The duo has already said that it will definitely publish its next movie on file-sharing sites again to give back to people who finance its production with their donations. But Bonanno said that they could also change their mind on other distribution methods, like theatrical releases or TV deals, depending on how much money the current donation campaign will bring in.

Just shows that there are many different ways to distribute and fund a movie.