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Assisted Editing Business & Marketing Item of Interest Metadata Monetizing The Business of Production The Technology of Production

Episode 18 of The Terence and Philip Show

What’s going to happen in 2011? http://tinyurl.com/48f979s

Our longest show ever!

In this episode Terence and Philip, with Greg Huson from Secret HQ, look forward to what we can expect in 2011.  You might want to pace yourself on this one as we’ve set a new record for show length.

What will the Microsoft Kinect be used for? Who’ll be releasing new software this year – will we see new versions of Media Composer, Final Cut Pro or Adobe Creative Suite? Will Avid open up to 3rd party hardware? What will be in those releases? Is this the year Metadata (finally) takes off?

How many movies have to not make money from 3D before the fad is over? Or will 3D TV spark 3D production? Will we see RED Epic this year and will it be a success? What will develop with large sensor cameras?

How will the collapse of State Governments affect production subsidies? Will runaway production come back to LA?

When will the tipping point come when distribution breaks out of broadcast and cable channel models? Is ivi going to be ruled legal? What’s the future of Netflix? Is a social network a replacement for channel guides?

What do we wish we could predit for this year? More use of metadata for production automation and where it comes from? What if we didn’t do a first string-out manually? This leads to a discussion of the philosophy of editing.

What will be this year’s surprise? Another DSLR? Another daVinci/Smoke on Mac?

What will happen in distribution? What’s the future of DVD Extras?

What isn’t going to happen that needs to happen?

Categories
Assisted Editing Item of Interest Metadata The Business of Production Video Technology

Join MediaSilo, Oasis (and me) for Free Metadata Event in LA

RT @zbutcher: Join MediaSilo & Oasis for FREE event in LA http://eepurl.com/cdZ4T

Metadata is crucial in today’s ever-changing, competitive post production environment. New, exciting tools continue to emerge. Trying to sort through it all? Join us for a special event in LA onJanuary 27 @ 6:30.

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Assisted Editing Item of Interest

Sloppy Math is good for video analysis?

Sloppy Math is good for video analysis? http://tinyurl.com/22kpvp6 Better content detection = better metadata for us to use in software.

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Assisted Editing Item of Interest

New version of Sequence Clip Reporter reports JPEGs

New version of Sequence Clip Reporter now offers JPEG “thumbs” for all Clip in-points (optionally) as a folder of images at the selected size from thumbnail up to 640 x 480/360 (for 4:3 and 16:9 respectively)  http://tinyurl.com/35yojfg

Sequence Clip Reporter is our tool for taking a Final Cut Pro sequence and generating a wide variety of Clip reports for music reporting, stock footage, etc with reel-by-reel, filter and marker reports all available.

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Assisted Editing Item of Interest

Assisted Editing has a new tag line…

Assisted Editing has a new tag line – “Taking the boring out of post” because that’s what our tools do. http://tinyurl.com/2fvw8to

We originally settles on “Smart Tools for Smart Editors and Producers” but in reality our goal is to take all the boring work out of post production, whether it’s syncing audio and video sources together, copying log notes from one bin to another or doing a series of first cuts to explore your content we want to take the boring, tedious, slow parts out so editors are free to focus on the truly creative work of making an edit emotionally compelling and visually stimulating.

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Assisted Editing Item of Interest

Great article by Lee Schneider at Technorati

Great article by Lee Schneider at Technorati – Humans and Machines – Technorati Gadgets http://bit.ly/gXYg6s Page 2 features our prEdit but it’s not the only reason to read the article.

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Assisted Editing

What is the value of an idea?

Thomas Edison once famously said that “Invention was 1% inspiration and 99% perspiration”. I’ve been led to think about that again since the response to my recent post on our new competition “There’s not an App for That… Yet!”.

Andy Mees in our comments, and Anthony Burokas in response to Scott Simmons post at Studio Daily both raised the question that “a free copy” of the application seemed to be unfair compensation for the idea for an application. They raise a fair question: after all we’re asking people to submit the idea and hand over rights for the developed application to Intelligent Assistance.

So, how valuable is an idea? In practice pretty much nothing. Consider:

Ideas vs Execution “To me, ideas are worth nothing unless executed. They are just a multiplier. Execution is worth millions.”

Ideas vs Execution (different site) “Startups – your idea isn’t nearly as important as you think it is.”

Is Execution More Important than Vision? “… the visionary is usually the one that gets the shaft in Silicon Valley.”

Or consider the Winkelvoss brothers who could be reasonably considered to have had the “idea” that ultimately became Facebook. They sued to prove it and did, indeed win a $65 million judgement (in Facebook shares, not cash). Given that Facebook was valued at $5 billion at the time, that’s just 1.3% for the idea and 98.7% for execution.

So let’s take a practical case: our Transcriptize application. Like almost all of our applications this one came as a suggestion from a friend, Larry Jordan. At his 2009 business Christmas gathering, Larry suggested the idea to be able to read and convert Soundbooth transcription XML to something more useful. Good idea Larry, so let’s make it.

Greg (my programming partner) had to learn how to read Soundbooth XML (which is a different format than FCP XML, of course) and then build an algorithm to convert it to text, spreadsheet and Final Cut Pro markers. The basic conversion was done the day after the Christmas gathering after about six hours work. (For reference, a programmer with his experience bills at $150 an hour or more.) But that wasn’t an application. It was still useless, but has incurred a “cost” of $900.

To turn that algorithm into a real, shipping product took another week’s work between us (that’s another 40 hours or $6K) to design and build an interface, to troubleshoot and test multiple outputs for Final Cut Pro, to add extra features as we thought of them, to add in updating frameworks, security framework, feedback framework, design an icon, write copy for and design a website page, set up serial numbers and the product into the Intelligent Assistance store, write and send out media releases and start marketing and promoting the application.

That’s with a full e-commerce site already developed that automatically talks with the payment processor so that, when payment is confirmed, issues serial number, and with a robust security system already developed and in place. Neither were developed specifically for Transcriptize bu together they represent another 60-80 hours of work that has to be amortized across all sales.

Opportunity cost for us to create Transcriptize (without allocating any from the store or security) was over $8000. We have yet to sell 10 copies at $149 each. The value of the app free is $149, the return to Larry at 5% to date would be $37.25 as we come to the anniversary of the apps release.

Pretty much every one of our utility applications to date have been suggested by friends and associates as you can see in the credits for any application:

Transcriptize was suggested by (as I said) Larry Jordan;

Sequence Clip Reporter suggested by Les Perkins who had to wait nearly a year to be able to run it on his system after he upgraded with a massive number of feature requests from early adopters;

Sync-N-Link was suggested by Ted Schilowitz of RED Digital Cinema;

Finisher was suggested, during the First Cuts beta, by Loren Miller

ExceLogger was suggested by a First Cuts Studio customer;

Log Note Replicator came from a suggestion of a LAFCPUG user who had been using ExceLogger in a convoluted way to do what Log Note Replicator became;

Clip Info Titler was requested in various ways by multiple people, including Shane Ross

Is Clip Used? was a multi-wished feature request over at the LAFCPUG forums.

The question of a royalty never came up: these people were just happy to see the application created so they could use it, so we thought the same would apply to the competition.

The other applications: First Cuts (originally The Assistant Editor); prEdit, Matchback Magic and miniME came from internal ideas, because – quite frankly – no-one much thinks that far out of the box.

The “idea” is important, but if you have to choose between the idea and execution, always bet on execution.

On the other hand, if you do have an idea you’re convinced will sell thousands of copies to Final Cut Pro users and you’re prepared to put in a whole lot more than just the idea, come talk with Intelligent Assistance. We do a lot of custom programming for workflow support and we could likely build the app for you. But the reality is that few products sell a thousand copies, even fewer thousands. Of the nearly 300,000 applications in the iOS store, there are 290,000 that are making their developer nothing.

But, so that no-one can feel that they are hard done by, the winner of our “There’s not an App for that… yet” competition will have the choice of either getting the application for free, or taking a perennial 5% of net sales (after credit card charges and fees are deducted from the income). In most cases you’ll be better off taking the free app, but to be fair, the details of expected return, compared to the returns we’ve made on apps, will be set out for the winner so their choice is well informed.

Categories
Assisted Editing

There’s not an App for that… yet! [Updated]

Ever said to yourself “There should be an app for that?” Or you’ve had an idea for an app but have no idea of how to get it made?

Well, here’s your chance. My company, Intelligent Assistance, is running a competition from now into February, to find the top app that absolutely needs to be made.

First off we’re seeking ideas, hence the questions above. Between now and the end of January suggest an idea for an app. Then in round 2 during February we’ll be putting all the ideas (the ones we can make) up for voting. The winning app – the one most voted on – will be made and the person who suggested it will get it FREE.

Even better, those who vote for that app will also be eligible to buy the app at half price!

All the details are at http://assistedediting.intelligentassistance.com/competition/

If you’ve got questions, ask them in the comments.

[Update] Because of the comments here and at Studio Daily we’ve modified the competition terms so that the winner will now be offered the choice of the app for free, or a 5% royalty on sales from the app.

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Assisted Editing Item of Interest

Is Clip Used? (in FCP Sequences)

Is Clip Used? (in FCP Sequences) http://tinyurl.com/28kkfmm

Inspired by LAFCPUG forum feature requests, a new applet from Assisted Editing.

Do you want to know which clips have been used in which sequences in your project? Is Clip Used? updates your Browser clips using a simple menu command.

Is Clip Used? sets the clipsʼ Label 2, Comment A or Comment B column (your choice) to the sequence name or names where theyʼve been used.

Is Clip Used? is an applet that shows as a menu item in the right-hand side of the menu bar. Choose the Browser column to use for the sequence name or names from the menu. The name of the Sequence or Sequences where the clip is used will be updated in the chosen column of the project immediately. If a clip hasn’t been used in a sequence, the field will be set to blank; if a clip has been used in more than one sequence in your project, the field will be set to all the sequence names separated by commas. You can easily undo the Browser column change by choosing Undo.

Requirements:

  • Final Cut Pro 6.0.2 or later (part of Final Cut Studio)
  • Mac OS X 10.5 (Leopard) or 10.6 (Snow Leopard)

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Assisted Editing Item of Interest

Update coming for prEdit

Greg has been doing some amazing work on prEdit yesterday and today. Might be an update next week: write your v/o script in prEdit in between the clips. Now that we have script export to text (with timecode stamps) this is the logical next step.

But it gets cooler: your narration will be voiced by the system voice and speed of your choice!