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Another reminder that Adobe is a Tools Company

Another reminder that Adobe is really in the best position to capitalize on the move to HTML5 http://bit.ly/aHgNHT Adobe is a tools company.

Although Adobe may prefer that the web use their proprietary Flash format, it makes most of its money from the tools that we use as content creators. Flash CS5 has rudimentary export to HTML5 and Canvas. Canvas is another of the HTML5 tags. This one allows for very sophisticated animation of the screen – up to doing 3D cubes with video on each side, for example. It’s also part of what makes HTML5 competitive with Flash.

When I refer to HTML5 as a replacement for Flash, I’m actually referring to the combination of:

The <video> tag that allows video to be played without any plug-in;

The <canvas> tag that allows regions of the screen to be manipulated in very sophisticated ways;

CSS (Cascading Style Sheets) which provide even more formatting and animation options; and

Javascript for the smarts. (The code that provides interactivity and connects to the tags above).

There’s more to HTML5 than that, but that’s the basics and Adobe is definitely in the best position to make the tools we will need for HTML5 to be successful. They’re already much closer than anyone else

 

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Item of Interest

A little sanity (and background) on Adobe v Apple over Flash.

Dan Rayburn writes “For Adobe, There Is A Lot More At Stake Than Apple Devices, Here’s The Bigger Story

With no stake in the discussion, he explores how Adobe should be reacting, and points out that Adobe could be worried about losing a chunk of cash they get from the Content Delivery Networks for delivering the proprietary RTMP streaming format, and how the move is to HTTP streaming (and not only for Apple’s iDevices).

No Apple (nor Adobe) apologist Rayburn writes:

For starters, don’t let the discussion get sidetracked by those who want to imply that Apple is supporting HTML5 out of the goodness of their heart or because they want to support some kind of “open standards”. Apple’s decision not to support Flash on their devices is purely a business decision and one they have the right to make. Anyone who tries to imply that Apple is being the “Robin Hood” of the industry and is trying to do away with proprietary technology for the benefit of us all is simply wrong.

While Adobe’s not happy with Apple’s decision, Adobe needs to stop whining about it and adapt their business due to changes that happen in the market. Industries do not sit still, business evolves and any good company evolves with it. While Apple threw Adobe a curve ball, Adobe should stop complaining about the pitch and change their business so they can hit what’s thrown to them. And I don’t mean by filing a lawsuit which would only help Apple and hurt Adobe.

And, after a long and very good article he concludes:

The bottom line is that there is a lot more at stake for Adobe than whether or not Flash works on the iPad. That’s what the media and bloggers want to talk about, but there is a much bigger story here. Yes, Adobe would lose some revenue from content owners not using Adobe products to generate content for the iPhone and iPad, but they will lose even more once HTTP streaming takes over if they don’t throw their weight behind it now.

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Item of Interest

More good news about 3D?

More good news about 3D http://bit.ly/dfZD8Z Don’t drink and watch. (Kind of makes it impossible to watch football in 3D!)

Samsung warns:

“Pregnant women, the elderly, sufferers of serious medical conditions, those who are sleep deprived or under the influence of alcohol should avoid utilising the unit’s 3D functionality.”

Since that describes me, about 80% of the time (sleep deprived mostly) I wonder when I could watch 3D TV if I wanted to? Also difficult to wear the 3D glasses and multitask on my laptop as I do more than half the time I watch TV.

Add to this new data point the fact that some 30% of the population cannot see 3D (stereo blindness) or find that it gives them headaches or worse, and you have to wonder why it’s so prevalent this NAB. During the week I also saw a post, but didn’t bookmark it, that indicated it wasn’t a great idea to drive after watching a 3D movie in a theater – something to do with changed depth perception after the 3D experience.

I remain 3D skeptical. I might be wrong.

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Item of Interest

This is big news: Google to open Source VP8

This is big news: Google to open source VP8 for HTML vidoe http://bit.ly/90n9eA

Google acquired the On2 corporation largely for their codec expertise and got control over the VP8 codec (Flash 8-9 used the VP6 codec). They can open source it if they want, and they have. They are also pushing it for adoption as the video codec for the HTML5 <video> tag, which will allow video to play without using a plug-in like Flash, QT or any of the others.

However there is already contention between the Ogg Vorbis codec (also open source) and MPEG-4 (open and equitably licensed but not always free to publishers or software developers). The arguments usually go down the path of “Ogg is open source so it should be used” vs “Ogg quality is not great and MPEG-4/H.264 is much more widely deployed.

I would expect Chrome to gain support for the VP8 in the <video> tag but I’d expect Apple to fight VP8 as the only choice. Apple are very much behind MPEG-4/H.264.

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Item of Interest

$995 daVinci Resolve on OS X Confirmed

The rumor went around last night and has been confirmed this morning: Blackmagic Design have indeed released a software-only version of daVinci Resolve for US$995 and a turnkey package for just under $30,000.

I never thought I’d stay in this indusry long enough to see a daVinci product under $10,000, let alone under $1000. daVinci color correction tools have traditionally been priced at over $300,000 (with hardware). High end color correction has never been more affordable, with Apple’s Color included in their Final Cut Studio package and Avid’s Symphony product also providing high end color correction capability.

There is no reason that your project shouldn’t look visually stunning.

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Interesting Technology Item of Interest

What about 3D at NAB 2010?

Throughout the Panasonic and Sony press events we were bombarded with 3D. Panasonic pushing the camera to couch while Sony approaches the concept as Lens to Lounge. Both companies showed examples of their partner’s work in 3D.

Panasonic are at the forefront of the affordable HD production race with the AG-3DA1 camera that is shipping in very limited supplies and has a waiting list. At $21,000 this dual lens, single body camcorder records to AVCCAM and has integrated convergence control.

Sony had many partners in 3D production at the high end but nothing yet in their affordable product lines, although the implication was that these will be coming in the future.

Between the two companies we were exposed to a lot of 3D examples. My thoughts are very subjective but I found that 3D worked well for gaming, sports, particularly the relatively slow-paced golfing footage for this week’s Master’s event. What I found, and my associated confirmed, is that the fast cut concert footage and entertainment features did not work so well because of the slight disorientation at every edit.

While the cuts we use in traditional editing are analogous to the way the Human Visual System works, there is no real-world analog to jumping from place to place, view-to-view in the real world. This leads to a momentary disorientation at each edit, which takes the viewer out of the experience.

The other problem we noted collectively was that we got tired of graphics being “thrown out” of the screen to the audience.

One more thing: 3D content creators STOP THROWING THINGS AT ME! Stop with the gratuitous “in your face” movements. Whenever you throw something like that – like a 3D Bono hand (U2 concert video) or a 3D Graphic or whatever – keep it close to the screen. When things come flying at you in real life you react. With 3D, I react and I don’t react positively to the program.

So, just stop it, OK?

Regardless of my impressions this is the year that 3D hit the mainstream at NAB. Will it still be prominent next year?

For 3D, mark me as skeptical


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Item of Interest Video Technology

What else did Avid announce at NAB 2010? [Corrected]

From my NAB BuZZ special report:

Two words I never thought I’d associate with Avid are Interoperability and Openness, and yet this has been the theme of Avid’s 2010 announcements.

Since the recent rebranding of the five Avid-owned companies as one Avid, the company is using the tag line We’re Avid, are you, and constantly pushed the idea that Avid was open and stood for interoperability.

Heading off their event announcements was the concept of an Integrated Media Enterprise with an open media catalog for metadata management. Metadata management means that media can be found when it’s needed using search functions. New is the ability to view metadata in a Media Composer timeline.

Integrated Media Enterprise is at the core of Avid’s “any media, any platform” editing solution across diverse locations. Also important is a new revision to Interplay: Interplay 2, which comes in two forms. Interplay Media Asset Management is based on Avid’s recent purchase of Blue Order. Featuring an open, modular achitecture and support for a unified media management.

The Original Interplay is now known as Interplay Production to pair with the Interplay Media Asset Manager.

In the editorial field, Media Composer 5 has been announced for a mid July ship date. This new version expands the Avid Media Architecture to support RED, Canon XF and QT media natively with instant access and no transcoding required. My personal favorite new feature for Media Composer is the end of Segment mode: I can drag and drop clips in a sequence just like I’d expect. Also new is support for AVC-50 and 100 throughout the entire Avid product line and real time audio filters in the timeline. [Updated] Although it was stated at the press conference these audio filters carry through to a ProTools session and all changes made in ProTools to filter settings are all carried back to Media Composer, this is Avid’s intention but until ProTools gets an update to support it, the workflow is not complete.

Rounding out the day’s announcements was the purchase of Euphonix by Avid to enhance their range of control surfaces so they can support more market needs.

Check out the Avid announcements at Avid.com

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Item of Interest Video Technology

What did Sony announce at NAB 2010?

Although a long and tedious press meeting Sony had nothing of interest to me (or presumably my audience). They showed a lot of 3D (please put your glasses on, take them off for the next bit, put them on again, repeat endlessly) even though they only have one 3D capable camera (and you need two to get stereoscopy).

Everything has been previously announced but still, it’s important to waste the time of a couple of hundred journalists during their busy NAB schedule to just talk about what their customers are doing.

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Interesting Technology Item of Interest Video Technology

What did Panasonic announce at NAB 2010?

Panasonic’s 2010 announcements centered around the adoption of AVC-Intra and their affordable 3D camera, the AG-3DA1 with the most interesting announcement being their 4/3″ sensor AG-AF100.

Naturally Panasonic reminded us of their leadership in IT-based workflows and I was surprised to be reminded that it’s been 7 NABs since the release of the first P2-based camcorder. This year they focused on the adoption of AVC-Intra with new partners and their affordable AVCCAM format recording to SD media.

A new AVCCAM shoulder mounted camera has been announced for delivery later this year: the AG-HM80. Featuring full raster 3 Mpixel sensors with recording to AVCCAM or SD DV the camera has interchangeable lenses, optical image stabilizing, a manual focus ring and user assignable controls. Naturally 24P native recording at 1080 and 720 image sizes is supported along with typical video frame rates and it features Dynamic Range stretch for better control of mixed light situations and Cine-like gamma.  With a full range of inputs and outputs including HDMI, USB 2, composite, component and 1294 for the DV signal, the HM80 includes a 2 year warranty in it’s recommended price of just $2895.

However, the most interesting announcement was the large sensor AG-AF100 expected to ship later this year. Featuring a 4/3″, 12.1 Mpixel sensor, support for professional audio I/O, the AF100 records to all four AVVCAM modes to SD/SDHD or the new SDXC cards in dual slots. While the price was not announced it is expected to carry an MSRP of around $6000 and a street price a bit lower.

Along with the camera announcements were a new P2 studio deck, the AJ-HPD2500 and a 3D production monitor due September 2010.


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Item of Interest

NAB Breaking rumor: $995 daVinci Resolve on OS X

It’s only a rumor going around Twitter over the last hour or two but it would be awesome! Resolve is the high end software daVinci system. Last year daVince (pre Blackmagic Design purchase) were showing Resolve on a laptop so it’s not impossible.

Frankly, I’ll believe it when it’s announced tomorrow morning at the Blackmagic press event. More then.